… one day you’re out here- broke… trying to put together enough for a sandwich…. the next day you really got it happenin’– sittin’ in a studio you bought–and in the village, no less.  don’t ask me how it all happens…man.  I guess you just keep going– you gotta groove through all the darkness…

This video tape depicts for the first time biological transformation (or pleomorphism) of a rod BACTERIA INTO a healthy RED BLOOD CELL—

This has now brought me to my current hypothesis that germs or microbes are the expression of a physical or emotional disturbance, and NOT the cause of a specific

dis-ease or diseased state.– Dr. Robert Young

As a result- Dr. Young concludes:

1) Microbes including bacteria, yeast, molds and
viruses DO NOT CAUSE DIS-EASE or DISEASE but are
the expressions of a dis-eased or an acidic environment.

2) The true cause of dis-ease or disease is due
to an acidic or inverted way of living, eating and
thinking.

3) The cure for dis-ease or disease will be found in its prevention not its treatment.

4) The key to health, energy and longevity is to maintain
the alkaline design of the body— in other words, emotional, mental, and physical HARMONY.

As stated by Neil Solomon, M.D., Ph.D. and
former head of research at Johns Hopkins,
“Dr. Young may be on the threshold of a “New
Biology” whose principals, if proven, could
revolutionize the biology and medicine
worlds.

————————

It is slow, but one day in the future, biological science will realise that each element attracts the same element, and so it is natural that illness should attract illness; thus- inharmony attracts inharmony, whereas harmony attracts harmony.  It is beyond words to tell what an extent the thought, the feeling, and the attitude help one to become cured.  —

Sufi Master Hazrat Inayat Khan (from the book–Mental Purification and Healing) 1926

Born 1937, Derbyshire is known as “the mother of electronic music”.   She was the third member of the British experimental band “White Noise”, but, perhaps is best known for her electronic realization of composer, Ron Grainer’s theme music for the science fiction TV series Doctor Who. She was also a prominent member of  the famous BBC Radiophonic Workshop.

+In 1959, when applying for a position at Decca Records, she was told that the company did not employ women in their recording studios.

+In 1963,  Ron Grainer was asked to compose the theme for Dr. Who. As part of the BBC’s Radiophonic Workshop, Derbyshire developed his written notes into the version that was then used on the original show.

Grainer was so impressed by Derbyshire’s interpretation, which used electronic oscillators and magnetic audio tape editing (including tape loops and reverse tape effects) to create an eerie and unearthly sound that was quite unlike anything that had been heard before. Derbyshire’s original Doctor Who theme is one of the first television themes to be created and produced by entirely electronic means.

Derbyshire was a member of Unit Delta Plus, an organization which was intended to use, create and promote electronic music. In the late sixties, she helped set up the Kaleidophon studio in London’s Camden Town district with fellow electronic musician David Vorhaus. The studio produced electronic music for various London theaters and in 1968, they used it to produce their first album as the band WHITE NOISE.  The debut, An Electric Storm is now considered an important and influential album in the development of electronic music, prefiguring the sound of Stereolab or Broadcast by 20 years.

—

I personally remember being haunted by the sound of this record when I was 18 and being impressed with how progressive it was, especially to have been recorded back in ‘68.

I had no idea of the story behind it or anything about Delia Derbyshire until just recently- which kind of blows my mind!

Watch the great Delia in action here:

The original Dr. Who Theme– composed by Ron Grainer —vibed out electronically with effects and tape loops by Delia Derbyshire— the first REMIX!!!*

m/r

the other night @ dinner, Marouan

showed us this clip directed in 1976 by Claude Lelouche that is the closest thing to a first hand, high-speed drive through the streets of Paris in a Mercedes-Benz 450SEL 6.9 (top speed 235KM/h). Shot in a single take, it is an example of cinéma-vérité.

from the wikipedia entry:

It starts in a tunnel of the Paris Périphérique at Porte Dauphine, with an onboard view from an unseen car exiting up on a ramp to Avenue Foch. Well known landmarks such as the Arc de Triomphe, Opéra Garnier, and Place de la Concorde with its obelisk are passed, as well as the Champs-Élysées. Pedestrians are passed, pigeons sitting on the streets are scattered, red lights are ignored, one-way streets are driven up the wrong way, centre lines are crossed, the car runs on a pavement to avoid a refuse lorry. The car is never seen as the camera seems to be attached below the front bumper, judging from the relative positions of other cars…

It’s pretty rad….

Martín Ramírez (1895–1963) was a self-taught artist who spent most of his adult life institutionalized in California mental hospitals, diagnosed as a catatonic schizophrenic.

Having migrated to the United States from Mexico in 1925, Ramírez was institutionalized in 1931, first at Stockton State Hospital, then, beginning in 1948, at DeWitt State Hospital in Auburn, near Sacramento, where he made the drawings and collages for which he is now known. At DeWitt, a visiting professor of psychology and art, Tarmo Pasto, came across Ramírez’s work and began to save the large-scale works Ramírez made using available materials, including brown paper bags, scraps of examining-table paper, and book pages glued together with a paste made of potatoes and saliva. His works display an idiosyncratic iconography that reflect both Mexican folk traditions and twentieth-century modernization: images of Madonnas, horseback riders, and trains entering and exiting tunnels proliferate in the work, along with undulating fields of concentric lines that describe landscapes, tunnels, theatrical prosceniums, and decorative patterns. Since his death in 1963, Ramírez’s drawings and collages have become some of the most highly valued examples of outsider art.

He is a Mexican, about sixty-eight years old, who is classified as a chronic paranoid schizophrenic and considered incurable, having been institutionalized for over twenty years. His art activity dates back about six years. He is slight of build, greatly underweight, a former tuberculous patient who spends his time on his art. He does not speak to anyone but hums in a singsong way when pleased with his visitors. Conversation as an exchange of ideas is impossible.

Written by Dr. Tarmo Fasto for the Public Relations Department of Stanford Research Institute Stanford, California, July 1954

The Detroit “Jit” is a spectactularly creative and vigorous dance that has its origin in the 20’s “jitterbug” craze.  Its has gone through several evolutionary phases- this is the most recent:

a comprehensive history of the “jit” can be found here——->@@@@@@

*leap forward to 3:00mins

*leap forward to 3:00mins

*leap forward to 3:00mins

oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*

oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*

oMg*oMg*oMg*oMg*oMg*oMg*oMg*oMg*

oMg*oMg*oMg*oMg*oMg*oMg*oMg*

oMg*oMg*oMg*oMg*oMg*

oMg*oMg*oMg*

oMg*

***Iraqi TV al-Sharqiya just reported on the news that fiery Iraqi reporter, Muntadhar al-Zaidi was transferred to Camp Cropper prison [the Airport prison, managed by the American forces].

The TV Channel announced that Al-Zaidi is in a difficult condition, with broken ribs and signs of tortures on his thighs. Also he can not move his right arm.***

I don’t care what nobody says— in this era of squeaky-cleanism and public figures being afraid to stand up and truly express themselves outright— I have to give credit where it’s due.  Yeah, my man took the XL risk by throwing that shoe— one that is surely seeing him getting his ass BEAT somewhere in a jail cell right now— but at least he had the courage to speak his mind and represent for the people without a voice.  I was reading somewhere about this guy and how his feelings were influenced by witnessing the agony suffered by everyday Iraqis. Most of his stories focused on Iraqi widows*, orphans, and children, and at times he’d CRY on TV while reporting.

Next time I have a glass, I’ll raise it to ya, baby:  AL-Zaidi.  Here’s to EMPATHY– and COURAGE.  Bon Chance, my man….may the Force Be With You………

“This is a farewell kiss, you dog. This is from the widows, the orphans and those who were killed in Iraq.”

( * for all those unaware, the CIVILIAN death toll since we Invaded Iraq lies somewhere in the area between 90,000-98,000- give a take a few families. Check out the site– Iraq Body Count for an unofficial but pretty well researched toll: @@@@@)

THERE’S A STARMAN WAITING IN THE SKY

HE’D LIKE TO COME AND MEET US, BUT HE THINKS HE’D BLOW OUR MINDS+++

Didnt know what time it was the lights were low
I leaned back on my radio
Some cat was layin down some get it on rock n roll
Then the loud sound did seem to fade
Came back like a slow voice on a wave of phase  werent no d.j. that was hazy cosmic jive

Theres a starman waiting in the sky
Hed like to come and meet us
But he thinks hed blow our minds
Theres a starman waiting in the sky
Hes told us not to blow it
Cause he knows its all worthwhile
He told me:
Let the children lose it
Let the children use it
Let all the children boogie

*(4 mor)

The TV and the computer merge into one thing…and THIS is how we’ll interact with it in the near future:

The Mysterious Stranger is an unfinished work written by the American author Mark Twain that was worked on periodically from roughly 1890 up until his death in 1910. The body of work is a serious social commentary by Twain addressing his ideas of the Moral Sense and the “damned human race”. Twain actually wrote multiple versions of this story, each unfinished and each involving the character of “Satan”.

The Mysterious Stranger was also adapted to a short scene in the 1985 claymation film The Adventures of Mark Twain, in which the children meet an angel named Satan. The resulting piece is strangely unsettling and was subsequently banned from several television stations.

part of our “vibe project” is spreading the word as much is we can, and in the most outrageous extreme ways.  While I’m in ISRAEL visiting, Sonny sent me about 30 posters that, for most part, I’ve been nailing to trees around town.

Most of them stay for a few days before they’re taken down–I’m still not sure if it’s the city is responsible, or random people–but whatever- the responses have been FCK*ing amazing.

———————

Fast forward to last week: I went to a huge art opening at a big respectful museum (http://cartoonmuseum.org.il). The show was called “post-pop“, and as usual, I had some posters with me to post in the street.

As I’m standing @ this posh opening- the idea sparks in my head: “How about I go gorilla and post MY piece in here?”

very fast (and with out much thinking), I pulled out one shiny poster, a hammer and nails.  With the help of my darling friend- who held the poster while I hammered- we NAILED it to the museum wall—-DURING the height of the art opening.

Looking around-no one seemed to really give a damn, but the adrenalin was rushing in my blood anyway. When we finished, we decided to check out the rest of the exhibit.

Walking around, I came across the legendary Israeli artist, Eliezer Sonnenschein, who started his own career by illegally adding his pieces to museum exhibits. He did it 5 times before he got officially invited by the museums to show his work.

While he and I were chatting, I told him what I had just done and he was so into it that he FORCED me to sign the vibe poster.  It was at this moment when the manager of the museum noticed us.  Before I knew it, I was in the middle of a huge controversy….

She was very offended and took it extremely personal that I had, in an act of vandalism, sabotaged her “baby”.  Eliezer argued in my defense that the museum is funded in part by tax payers and so in a way, the space belongs to the public.  He then asked her name and wrote on the WALL (right in front of her), “I love you,________ “!!!!

This pissed her off even more:  “You think this is funny”???  She was livid.

I walked away to tell my friend, and after 30 seconds, we saw the manager lady walking away smiling. It turns out that the curator had come, loved the piece AND how I had installed it.  Later, both the manager and the curator approached me saying that they’d decided to accept it as part of the exhibit!  All they needed now was the artist information:

preAMP+

silkscreen

2008

The poster is now exhibited in an international museum. I guess the moral of this story pretty much is: “GO FOR IT”.  It was illegal and risky, but— you never know, right??

Mor Elian (m/r)

This moment is all we have and all there is.

Scarlett Rouge (pictured)

<><><><><><><><><>

“I consider myself an alchemist. An ‘alchemist’ is basically…a mystical chemist”.

Will Smith discusses METAPHYSICS and DREAM-WEAVING on the Tavis Smiley show. GetNtoiT*

The Washington Post today reports on plans to station 20,000 more U.S. troops inside America for purposes of “domestic security” from September 2011, an expansion of Northcom’s militarization of the country in preparation for potential civil unrest following a total economic collapse or a mass terror attack.

“The U.S. military expects to have 20,000 uniformed troops inside the United States by 2011 trained to help state and local officials respond to a nuclear terrorist attack or other domestic catastrophe, according to Pentagon officials,” reports the Post.

The contention that the troops will merely help “recovery efforts” after a major catastrophe is contradicted by the fact that Northcom itself, in a September 8 Army Times article, said the first wave of the deployment, which was put in place on October 1st at Fort Stewart and at Peterson Air Force Base in Colorado Springs, would be aimed at tackling “civil unrest and crowd control”.

After a controversy arose surrounding the admissions made in the Army Times article, Northcom retracted the claim but conceded that both lethal and non-lethal weaponry traditionally used in crowd control and riot situations would still be used in the field.

In the short term, the domestic deployment of troops is likely aimed at combating likely civil unrest that will ensue after a complete economic collapse followed by a devastating period of hyperinflation.

This warning was again echoed a few days ago in a leaked internal memo from Citibank

German photographer Martin Schoeller’s new book of portraits aims to highlight the contrast between the extreme physiques of female bodybuilders and the vulnerability expressed through their eyes and nuanced facial expressions. Schoeller is known for treating all subjects the same, whether the New York-based photographer is shooting celebrities for Vogue or unknown members of the Pirahã tribe in Brazil.

The country’s top trends forecaster, who accurately predicted the “panic” of 2008 nearly a year before it unfolded, is now ominously suggesting that next year will come to be known as “the collapse of 2009″.

Around this time last year, Gerald Celente sent the following message to his Trends Research subscribers:

In 2008, Americans will wake up to the worst economic times that anyone alive has ever seen. And they won’t know what hit them. Just as they were in a state of shock on 9/11, they’ll be frozen in fear when the Economic 9/11 strikes at the heart of Wall Street.

Dismiss this trend forecast at your own peril. If you believe everything will be all right, and that the ship of state is sailing along just fine, toss this out and go about your business.

Having correctly forecast the “Economic 9/11″, Celente is warning that people should prepare for something much worse in 2009.

Celente recently told media outlets that by 2012 America will become an undeveloped nation, that there will be a revolution marked by food riots, squatter rebellions, tax revolts and job marches, and that holidays will be more about obtaining food, not gifts.

In 2007, Celente forewarned that “giants (would) tumble to their deaths,” which is exactly what we have witnessed with the collapse of Lehman Brothers, Bear Stearns and others.

Celente has stated that the current financial downturn will ultimately lead to nothing less than revolution.

“There will be a revolution in this country,” he said. “It’s not going to come yet, but it’s going to come down the line and we’re going to see a third party and this was the catalyst for it: the takeover of Washington, D. C., in broad daylight by Wall Street in this bloodless coup. And it will happen as conditions continue to worsen.”

LISTEN: November 11/17 interview of Gerald Celente —–>@@@@@@

“I love Das EFX, you know…ngZ* LOVE Das EFX, man, but…we’re at a birthday party, girls got dresses on— and you’re playing ‘bum-stickity bum-stickity bum‘??? And you wonder why people stop dancing!”

rando “special request” piece from back in June:

me and Richie driving around discussing the lack of “sexy” in the L.A. party scene, stepping up your “-G-”, and Bebel Gilberto, among other things…

getNto iT*

On one of the highest hilltops in Elbert County, Georgia stands a huge granite monument. Engraved in eight different languages on the four giant stones that support the common capstone are 10 Guides, or commandments. That monument is alternately referred to as The Georgia Guidestones, or the American Stonehenge. Though relatively unknown to most people, it is an important link to the Occult Hierarchy that dominates the world in which we live.

The origin of that strange monument is shrouded in mystery because no one knows the true identity of the man, or men, who commissioned its construction. All that is known for certain is that in June 1979, a well-dressed, articulate stranger visited the office of the Elberton Granite Finishing Company and announced that he wanted to build an edifice to transmit a message to mankind. He identified himself as R. C. Christian, but it soon became apparent that was not his real name. He said that he represented a group of men who wanted to offer direction to humanity, but to date, almost two decades later, no one knows who R. C. Christian really was, or the names of those he represented. The messages engraved on the Georgia Guidestones deal with four major fields:

(1) Dramatically reducing the population of the world.
(2) Promoting environmentalism.
(3) Establishing a world government.
(4) Promoting a new spirituality.

Yoko Ono was recently quoted as referring to the American Stonehenge, saying:

“I want people to know about the stones … We’re headed toward a world where we might blow ourselves up and maybe the globe will not exist … it’s a nice time to reaffirm ourselves, knowing all the beautiful things that are in this country and the Georgia Stones symbolize that. ” (1)